BIUG Meeting 2017 09-02

01- BIUG Wailoa Arts Center exhibit - 2017
1
 02 - Guild members gather in Bob Gleason's shop
2
 03 - BIUG nametag
3
 04 - Guild President Dave Stokes (R) briefs Bob Gleason and other attending members on the upcoming guild show at the Wailoa Arts & Cultural Center
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05 - Gary Cassel (R) gives members a run down of our abbreviated show in November at the Kahilu Theatre in Kamuela
5
 06 - Bob Gleason holds one of Bryan Luker's ukulele
6
 07 - Visiting luthier Colin Alder shows off his handmade steel guitar - complete with an aluminum top, fretboard and headstock
7
 08 - Woodley White displays a newly built koa ukulele with a hand painted headstock, under the admiring eye of Rodney Crusat
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09 - Close up of Woodley White's hand painted headstock
9
 10 - Chris Stewart's rosewood ukulele with a blush problem
10
 11 - Devon Rogers displays an interesting two piece front and back of western bigleaf maple and koa for an upcoming ukulele project. His buddy Michael Foxley shamelsessly plugs Devon's guitar company
11
 12 - Charles Newcomb displays his uke neck with nice inlay work as Jane Klassen strains for a peek at it
12
13 - Bob Gleason holds his all milo ukulele as bravely passes around two ukueles he is working on. Sam Rosen, Colin Alder and Tad Humble line up for a look
13
 14 - One of Bob Gleason's beautiful works in progress - a koa tenor body with a curly redwood top
14
 15 - Despite the dubious looks of guild builders, Rodney Crusat provides samples of a protective window film that can protect the finish of instruments
15
 16 - Devon Rogers (C) offers an interesting talk on repairing ukulele as Sam Rosen (L) and Michael Foxley look on
16
17 - Devon Rogers demonstrates regluing a bridge
17
 18 - Devon Rogers uses a folding mirror and homemade light to inspect at ukulele
18
 19 - Devon Rogers lights up the inside of a handcrafted ukulele as Bob Gleason steals a look
19
 20 - A cracked back waits for glue up during Devon Roger's demonstration
20
21 - Devon Rogers (R) examines the broken neck of Ernesto Bonilla's handmade instrument as Gary Casel (L) and Charles Newcomb look on
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